tag:blogger.com,1999:blog-4447020772809150478.post3321333577317612174..comments2024-03-28T22:20:36.906-04:00Comments on TempoSenzaTempo: Stoelzer & Blodeck - The Mozart Symphony ClubMike Brubakerhttp://www.blogger.com/profile/13065245846262417519noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-4447020772809150478.post-31072146042222697912014-03-13T03:00:53.143-04:002014-03-13T03:00:53.143-04:00Great post! @Allen I also love your Casadesus phot...Great post! @Allen I also love your Casadesus photo - but I would not see these people as competitors. Interestingly the site dolmetsch.com describes Arnold Dolmetsch's interest in early music / instruments as "not particularly remarkable" in that time.Max D. Machyhttps://www.blogger.com/profile/02370219701476541044noreply@blogger.comtag:blogger.com,1999:blog-4447020772809150478.post-244696958823141732010-12-02T18:44:09.905-05:002010-12-02T18:44:09.905-05:00That's a wonderful photo. In the late 19th cen...That's a wonderful photo. In the late 19th century, before the sainted Dolmetsch's efforts, there were a number of such attempts to show off antique instruments to the public. That included lots of viols played without frets, or even, in this picture: <br /><br />http://www.casadesus.com/famille/mafamillecasadesus/photo2.html<br /><br />holding a pardessus on the shoulder. Note the end-pin on the bass is ahistorical as well. Though I know one G violone player who uses a small end-pin on her instrument.Allen Garvinhttp://blog.nitfol.comnoreply@blogger.com