This is a blog about music, photography, history, and culture.
These are photographs from my collection that tell a story about lost time and forgotten music.

Mike Brubaker
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Salute to Burlington

13 April 2018


An old postcard is like a message in a bottle
floating on the sea of time.
After decades adrift through storms and doldrums
eventually it washes up onto a distant beach
far from where the sender ever expected it to go.

 This genial old tuba player,
with his straw hat, bow tie, and twisted mustache,
is one of those castaways
whose timeworn photo postcard
was destined to be marooned
on the shores of my photograph collection.

It happens that his arrival here
in western North Carolina
means he has actually not traveled far
from where he started
in the mountains of southwestern Virginia.
 
Study his face and you might see
a resemblance to a well known person of our time.
It could be another case of a time traveling celebrity,
so who do you think he looks like?




He sits on a wooden box
next to a heavy chain link fence
that guards a large industrial work site.
Behind him a long conveyor stretches up,
perhaps for moving coal or gravel into a railroad hopper car.
His broad brimmed hat looks appropriate
for what looks like a warm summer day,
as in fact it is some time around the 31st of August, 1908.

The location was somewhere near Konnarock,
a small community in the mountains
of Washington County, Virginia
just downhill from the Appalachian Trail,
and about 125 miles northeast of my desk.
 

The note in the bottle is brief and to the point,
and is a rare musical message.
It is addressed to:

Mr. Wm. Snyder
Middleburg,
Synder Co.,
Penn'a.






Will. –
"Salute to
Burlington" March
by Geo. D. Sherman.
Issues by Jean
M. Missud, Salem
Mass.
Yours truly,
M. K. H.


The composer of Salute to Burlington, George Dallas Sherman was a Vermont native, born in 1844. During the Civil War he served as a musician in the 9th Vermont Infantry. After the war he returned to Burlington where he organized Sherman's Military Band in 1878. It became a much celebrated band in the region and he was its leader until retirement in 1917. George D. Sherman was also a composer of numerous band marches and this one was published in 1888. Tragically Sherman died in 1927 after being struck by an automobile while crossing a street near his home. He was 83. Even more tragic was that most of his compositions were lost in a fire that occurred the same year as his death.

Today the Burlington Concert Band continues a Vermont tradition of music making that began in 1851. They performed "Salute to Burlington", at their Sunday concert on July 24, 2016 at the Battery Park high above Lake Champlain.



***


***

As we listen to the music
that inspired this message in a bottle
it seems fitting
to follow the same tuba part
that Mr. M. K. H. would have played.











So did you guess the time-traveling celebrity?








How about Sir Anthony Hopkins
as Henry Wilcox in the 1992 film
Howards End ?










And to add more proof of time travel,
Anthony Hopkins is also an amateur composer whose works
have been recorded by the modern waltz king, André Rieu,
and by the City of Birmingham Symphony Orchestra.
 
Evidently he can play the tuba too.








This is my contribution to Sepia Saturday
where something fishy is going on.

http://sepiasaturday.blogspot.com/2018/04/sepia-saturday-414-14-april-2018.html


Happy Hours

07 April 2018


The 1920s were a new modern age.
Peace had returned — mostly.
Prosperity too — for some.
Innovation, invention, and industry
seemed to move the world faster,
rapidly changing culture and traditions
in bold liberating ways,
especially for women.


In an exuberant expression of feminine freedom
women cut their hair, plucked their eyebrows, and painted their lips
in fashions that would have been unthinkable only a few years before.

This impish young woman seated at a piano
exemplifies that new spirit of the jazz age
with her frilly bobbed haircut and Clara Bow lips.
She's imitating the look of an entertainment personality
because she is one too.

She's Betty Dean.




A petite woman, Betty has turned on her piano bench to
look at the camera. Her instrument is not a concert grand
but a large square piano which runs the strings side to side
making a more compact design.
It should be more accurately called a rectangular piano.


Betty's 8"x10' glossy
was taken at the photography studios
of Joseph I. Sussman of
305 Nicollet Ave.
Minneapolis, Minnesota.





Mr. Sussman's studio produced a number of publicity photos
for theater entertainers from the 1910s to the 1930s.
The photo of the vaudeville group
the Cadet Saxophone Sextette
that was in my 2016 story Sax Appeal
was produced in Sussman's studio.




What makes her photo interesting
is that Betty wrote a dedication on the front.

To Mr. & Mrs. Talpan
Wishing You all
the luck & Success
in the world.
From Betty Dean
Happy Hours
Greeting    Season
19276- 27.






The florid handwriting is clear but I'm not certain of the name Talpan. The T might be a K or something else. Below her name, the word construction seems odd, perhaps to avoid writing on her dress. I think she intended "Happy Hours Season Greeting" which would be appropriate for a holiday gift. Also the year 1927 was corrected to 1926 and 27 was added which implies a concert tour or transition from December to January. 

With all these good clues one might think Betty would be easy to find somewhere in the vast internet archives. But unlike last week's story, Betty Dean's history has proven to be cloaked in mystery.



Perhaps she was the Betty Dean who in 1925 played songs everyday at 4:55 PM for radio station WHN in New York. She only had five minutes, just after Engel and Hercog did ten minutes of other songs and at 5:00 Bernard Share, violinist and Frances Brown, pianist played for two hours through the dinner time hours.

Bridgeport CN Telegram
10 June 1925


Following the idea that "Happy Hours Season" referred to some traveling show, I did find a burlesque show touring the northeast in 1926. It was the Big Laughing Sensation, Happy Hours, which starred Norma Noel and a Chorus of Frisky Frolickers.


Allentown PA Morning Call
24 February 1926


Along with Red Hot Norma Noel
the show also featured the world's famous dancer Zalleh?.


Lebanon PA Daily News
24 February 1926

Happy Hours was still on tour in late January 1927 with Harry Stratton & Fred Walker, the speedy funsters and a bevy of beautiful, Broadway belles. Burlesques's biggest, brightest, best bet.

Betty Dean's name was not included in the cast list or in reviews, but she might have been the show's accompanist. Her makeup matches the new Hollywood style of Norma and Zalleh.


Uniontown PA Morning Herald
27 January 1927

Perhaps she was married and one half of Bert & Betty Dean, a Musical Melange, who appeared at the Asbury Park, NJ Palace Theatre in October 1928 as one of the five vaudeville acts around a photoplay film "Square Crooks".


Asbury Park NJ Press
31 October 1928


So what music did Betty Dean play? What songs did she sing? Was she a vaudeville trouper or a radio celebrity? Maybe I'll will never uncover her true story, but I'm sure she was part of a new age of showbiz fashions.

Unlike the decades that followed when the technology of sound recording brought radio DJs, movies with sound, television, and now the internet, in the 1920s music still required live performance. Radio stations struggled to capture the public's attention with this new media, but they didn't use recorded music, they had real musicians playing music over live broadcasts. Theaters kept orchestras employed in the pit to accompany silent films and vaudeville acts. And entertainers like Betty Dean continued to promote themselves with publicity photographs, so in some respects the new age was just the same as the old. 






This is my contribution to Sepia Saturday
where everyone has a song to sing.

http://sepiasaturday.blogspot.com/2018/04/sepia-saturday-413-7-april-2018.html


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