Buttons, lace, braids,
cords, fourragères, aiguillettes
cuff insignia, shoulder straps, epaulets,
belt buckles, cap badges, collar dogs,
feathers, plumes, and cockades
were once standard accoutrements
of a well dressed musician.
cords, fourragères, aiguillettes
cuff insignia, shoulder straps, epaulets,
belt buckles, cap badges, collar dogs,
feathers, plumes, and cockades
were once standard accoutrements
of a well dressed musician.
During the years between 1865 and 1900
the proliferation of bands in America
created a demand
for distinctive uniforms with styles
that would look good on bandsmen,
both in concert and on the march.
the proliferation of bands in America
created a demand
for distinctive uniforms with styles
that would look good on bandsmen,
both in concert and on the march.
To judge by the number in my collection,
Clarinet players, or clarionettists, as they were once called,
seemed particularly fond
of being photographed in their band uniform.
This young man strikes a gallant pose
in his bandsman's uniform
which has the full livery
of a typical musician of the 1880s.
His cabinet card photograph was taken by
J. Hebbel of 409 N. Gay St., Baltimore, Maryland.
Unfortunately he has set aside
his hat which could offer a good clue
as to whether he really was a military musician.
Though his buckle does have an embossed eagle
which would be appropriate for a member
of a United State Army or State Militia band,
in this era there were many civilian bands
that dressed in an elaborate quasi-military style.
his hat which could offer a good clue
as to whether he really was a military musician.
Though his buckle does have an embossed eagle
which would be appropriate for a member
of a United State Army or State Militia band,
in this era there were many civilian bands
that dressed in an elaborate quasi-military style.
* * *
This hirsute clarinetist does wear a cap
but it is pushed back on his balding pate
so as to hide any insignia.
His uniform has ornate embroidery
borrowed from the styles of
European military uniforms.
Pinned to his chest is a ribbon medallion
which I believe may be
a sign of some special occasion
rather than an award for musicianship.
His clarinet has a lyre attached
holding a folio of his music
but it is pushed back on his balding pate
so as to hide any insignia.
His uniform has ornate embroidery
borrowed from the styles of
European military uniforms.
Pinned to his chest is a ribbon medallion
which I believe may be
a sign of some special occasion
rather than an award for musicianship.
His clarinet has a lyre attached
holding a folio of his music
His cabinet card photograph
was made in Marion, Kansas
by Mrs. McMullin,
a rare example of the work
of a female photographer.
UPDATE:
In February 2018
I wrote a longer story about
the photographer of this clarinetist
and her career in Marion, Kansas—
Mrs. McMullin Took Their Picture.
was made in Marion, Kansas
by Mrs. McMullin,
a rare example of the work
of a female photographer.
UPDATE:
In February 2018
I wrote a longer story about
the photographer of this clarinetist
and her career in Marion, Kansas—
Mrs. McMullin Took Their Picture.
* * *
This musician stands with
a more at-ease pose
with his clarinet.
His American style forage cap
has a musical lyre badge
surrounded by a wreath,
a universal symbol for a musician,
and still used today as a military band insignia.
His jacket has toggles instead of buttons
with embroidered braid not unlike
German or Austrian uniform styles.
a more at-ease pose
with his clarinet.
His American style forage cap
has a musical lyre badge
surrounded by a wreath,
a universal symbol for a musician,
and still used today as a military band insignia.
His jacket has toggles instead of buttons
with embroidered braid not unlike
German or Austrian uniform styles.
His photo was taken by
Julius Gross
successor to Cramer
at 1001 South Broadway
cor. Chouteau Avenue
St. Louis, Missouri.
Fine Art Painting
a Specialty
Oil, Pastel, & Crayon.
Julius Gross
successor to Cramer
at 1001 South Broadway
cor. Chouteau Avenue
St. Louis, Missouri.
Fine Art Painting
a Specialty
Oil, Pastel, & Crayon.
Sadly Mr. Gross's camera was a bit out of focus
for us to see the clarinetist's music placed
on the wire music stand next to him.
I suspect it indicates
his was a principal first-chair musician.
.
for us to see the clarinetist's music placed
on the wire music stand next to him.
I suspect it indicates
his was a principal first-chair musician.
.
* * *
This final cabinet photograph
shows a clarinet player
with an impressive beard
wearing what is perhaps
the most flamboyant uniform
in my collection.
From the plume on his tall white hat
to his two-tone belt,
his costume seems far beyond
even full-dress military attire.
He wears a decorative knotted cord,
similar to the Baltimore clarionetist,
that is not quite an aiguillette, nor a fourragère.
shows a clarinet player
with an impressive beard
wearing what is perhaps
the most flamboyant uniform
in my collection.
From the plume on his tall white hat
to his two-tone belt,
his costume seems far beyond
even full-dress military attire.
He wears a decorative knotted cord,
similar to the Baltimore clarionetist,
that is not quite an aiguillette, nor a fourragère.
Maybe it was a kind of clarinet swab.
I think his white (or lemon yellow?)
fancy uniform is most likely
the costume of a circus bandsman.
Compare this musician's hat
with the band in the second wagon
in my story from last weekend,
The Day the Circus Came to Town.
fancy uniform is most likely
the costume of a circus bandsman.
Compare this musician's hat
with the band in the second wagon
in my story from last weekend,
The Day the Circus Came to Town.
There are initials on his hat
but unfortunately the contrast
is too bright to read what they are.
but unfortunately the contrast
is too bright to read what they are.
I especially like his colorful satchel
where he kept his music, extra reeds,
and maybe a hairbrush too.
where he kept his music, extra reeds,
and maybe a hairbrush too.
His cabinet card photo
was taken by the Newcomb studio
of 162 S. Main St., Salt Lake City, Utah.
was taken by the Newcomb studio
of 162 S. Main St., Salt Lake City, Utah.
Salt Lake City was an important railway hub
for theatrical troupes and musical groups
traveling the entertainment circuits
that crisscrossed 19th century America.
Every circus had a band as did
minstrel shows and vaudeville troupes.
Fraternal and Masonic societies
also established bands
that performed in extravagant uniforms.
for theatrical troupes and musical groups
traveling the entertainment circuits
that crisscrossed 19th century America.
Every circus had a band as did
minstrel shows and vaudeville troupes.
Fraternal and Masonic societies
also established bands
that performed in extravagant uniforms.
* * *
None of these clarionetists left a name on their photograph.
We can only suppose that they lived
in the same community as the photographer,
but they could easily be just traveling through.
All are photo styles that date from 1885 to 1898.
We can only suppose that they lived
in the same community as the photographer,
but they could easily be just traveling through.
All are photo styles that date from 1885 to 1898.
It was an era when a manly man
waxed his mustache,
combed his epaulets,
and was proud to display his instrument.
waxed his mustache,
combed his epaulets,
and was proud to display his instrument.
To see more examples of
clarinet uniform styles
check out my post from 2011
The Well Dressed Clarinet
and the sequel from 2012
clarinet uniform styles
check out my post from 2011
The Well Dressed Clarinet
and the sequel from 2012
This is my contribution to Sepia Saturday
where you never know what you'll see.
where you never know what you'll see.