Gingerbread Children

It's not exactly a photograph
or a watercolor,
but a hybrid illustration
for a well known children's story.
Two youngsters,
a little girl and boy
sit at low worktables
assembling bundles of tree switches.

Do you know the tale?

The same two children are next pictured
in a misty forest kneeling in prayer.

Recognize the story?

One more clue
as the boy and girl stand in front
of an old woman outside a curious small hut.

It's a grim old yarn
that everyone knows.

Did you guess it yet?

This classic fable
was set to music
and became a popular opera.
Perhaps you know the composer,
Herr Humperdinck?

He is best known
by his mellifluous full name,
Engelbert Humperdinck (1854-1921),
He is the original artist whose work deserves
more credit than the British pop singer Arnold Dorsey
who borrowed the name in 1965.

The preceding images
depict scenes from Humperdinck's famous opera
Hänsel und Gretel.

They were used on
a series of nine souvenir German postcards.

I
Ach, käm doch die Mutter nun endlich nach Haus!
~
Ah, I hope Mother will not be too long!

Here is a clip of the music
that goes along with this scene
in the first act of Hänsel und Gretel
from a 1981 film directed by August Everding
with Edita Gruberova as Gretel,
and Brigitte Fassbaender as Hänsel.

* * *

* * *

II
Kuckuck, Kuckuck. Erbelschluck!
~
Cuckoo, cuckoo. Strawberry stealer!

III
Abends will ich schlafen gehn,
Vierzehn Englein um mich stehn!
~
When I lay me down to sleep,
fourteen angels watch do keep!

This next video clip plays this fearful scene in the forest,
perhaps the most well-known music in the opera.
Again it's from the same 1981 film of
Hänsel und Gretel
with Edita Gruberova as Gretel,
and Brigitte Fassbaender as Hänsel.

* * *

* * *

IV
Hänsel und Gretel schlafend im Wald.
~
Hansel and Gretel sleeping in the forest.

V
Knusper, knusper, Knäuschen.
Wer knuspert mir am Häuschen?
~

Nibble, nibble, mousy,
who’s nibbling at my housy?

VI
Hei, wie das schmeckt, 's ist gar zu lecker
~
Ha, what a taste! It’s simply scrumptious

VII
Was willst Du meinem Bruder thun?
~
What do you want with my brother?

VIII
Kinder, schaut den Zauberknopf,
Äuglein stehet still im Kopf!
~
Children, watch the magic knob,
your eyes of movement I do rob!

Here is another clip
of Humperdinck's fantastic music for the Witch's aria
this time in a concert version with full orchestra
sung by the American mezzo-soprano, Jamie Barton.
It's in German but with English subtitles.

* * *

* * *

IX
Und bist Du dann drin, schwaps!
Geht die Thür, klaps!
~
And when you're in there, slam!
The door goes wham!

So the wicked witch
meets with her dreadful demise.
The other stolen children
that she turned into gingerbread
are restored to life.
And Hansel and Gretel's parents rescue them
bringing the story
and the opera to a happy end.

The English translations are by Avril Bardoni
from a libretto prepared for
a 2016 Live Recording
of the Rundfunk Sinfonieorchester Berlin
under Marek Janowski.

* * *

This set of nine postcards were sent from Augsburg, Bavaria
beginning on the 20th September, 1899
and finishing on the 25th.
Hänsel und Gretel premiered
    23 December 1893 at the Hoftheater in Weimar
under the direction
of the composer/conductor Richard Strauss.

All the postcards were sent
to a Fräulein Gerty Hefselberger
of ?somewhere? in Germany.
The address script on each postcard,
neatly written in beautiful calligraphy,
is in an antique German cursive
that is too difficult for this American to decipher,
so the location of Gerty's hometown is a mystery.
Postcard #6 above has the best postmark.
The name "Gerty" is more clear on postcard #7
but I'm still uncertain if I have the spelling correct.

On the right border of each postcard is the publisher's name:
Verl. v. C. Seyd, Boppard
Gesetzlich geschütz ~ Protected by law

Boppard is a small city
in the Rhineland-Palatinate district of Germany

and it was where Engelbert Humperdinck
built a grand house in 1896 after Hansel and Gretel
proved to be a runaway hit.
 

Earlier in his career Humperdinck met Richard Wagner,
who invited him to assist in the Bayreuth production of Parsifal,
and serve as a music tutor to Wagner's son, Siegfried. 

So it's not surprising that Humperdinck
composed the music for Hansel and Gretel
in a Wagnerian style with full orchestra 
and with the two principal voices, Gretel and Hansel,
sung by a soprano and mezzo-soprano respectively.
Obviously the children on this postcard set
are not depicting the actual opera characters
but only the Brothers Grimm story line.

But on the left border is a long caption.

Nach Originalaufnahmen der Kinder des Komponisten
mit dessen gütiger Erlaubniss
~
Based on original recordings of the composer's children
with his kind permission

I interpret this to mean
that the two children used
in this charming hybrid illustration
were the son and daughter of Engelbert Humperdinck
and his wife,  Louise Hedwig Taxer Humperdinck (1862-1916).
Hansel was portrayed
by Wolfram Humperdinck (1893-1985) their only son.
and Gretel was his sister,  Edith Humperdinck,
later Edith Hötzendorfer, (1894-?).

Wolfram first studied painting and sculpture in Berlin
before going to Leipzig to take up music.
He went on to become a successful opera conductor
and in 1921 was appointed director
of the Landestheater in Neustrelitz.
It was while attending Wolfram's premiere production
of Der Freischütz that his father Engelbert
suffered a heart attack and died following the performance.

This postcard caricature of Engelbert Humperdinck
holding hands with two little children
likely dates from 1910-1920
and demonstrates the affection
and popularity he gained with this one opera.

Engelbert Humperdinck wrote seven more operas,
several using children's stories like
Die sieben Geißlein (The Seven Little Kids), 1895;
Königskinder (King's Children), 1897, 1910;
and Dornröschen (Sleeping Beauty), 1902.
But none matched the international success
of his first work, Hänsel und Gretel,
which is now a favorite musical for the holiday season
in opera houses around the world.

This is my contribution to Sepia Saturday No. 500
for which I am ever grateful
for its weekly inspiration
and am honored to participate
with so many fine enthusiasts of  old photographs.